—A postcard from the Isle of Arran—two children and a figure in a bird costume. It looked like the 1960s, but it wasn’t. It was AI. A future fake, quietly rewriting memory. This collection explores that tension—how the images we make today might one day be mistaken for truth.
— “I always start my collections with words. For this season I noticed a surrealist, punk, ritualistic fantasy in Ásta’s poetry that I recognised in the clothes I make. It felt as though her text was a translation of my work, in a way, and my task was to translate this back, and to form this collection”
—We are creatures of habits, but we live in a constant middle ground, haunted by changes. For SS24 Hansdóttir is moving on and parallelly visits poetic aspects rooted in uncertainties. Questions are being asked, but the answers are yours to find, for now.